—Be-eri Moalem, Review of Work Around the World on the Other Minds Festival, Mar 2013

“I could tell you that Aaron Gervais’s Shoot Like a Film Star ambitiously attempts to create a miniature opera from the unpromising libretto of a single spam email subject line.

“But you know what, this is just a really great fun…”

—Tim Rutherford-Johnson, CD Review of Toca Loca’s album P*P, Aug 2010

“Aaron Gervais piece was just entertaining. He is the composer of the night for me. Such a funny piece, I cried tears of laughter.”

—@WildKatPR, Tweet following performance of Sensational Revolution in Medicine, Nov 2009

“I’m a fan of Gervais’ lighthearted approach to new music—a field dominated by too many knitted brows.”

—John Terauds, The Toronto Star, Oct 2009

“His music stubbornly refuses to do what modern classical music is supposed to—not because he’s reactionary or defiant, but simply because he would rather do things his own way.”

—Charlie Wilmoth, Dusted Magazine, Jan 2009

“I laughed my head off last week when I watched the ‘Live Action Composing Video’ Aaron Gervais has on his Myspace. It is so true to life. Most people think composing music is some near religious experience where the composer is carried away with the great emotion of their music. The reality is that it’s mostly sitting around erasing things.”

—Pat Carrabré, The Signal, Dec 2008

“An artist in full command of his technique whose compositions are most original and inventive, very sophisticated and intellectually engaging.”

—Lt. Gov. of Alberta, Emerging Artist Award, Oct 2008

—Markham Hislop, Calgary Beacon columnist, on Hockey Story, Jan 2010

“Ger­vais has three exam­ples of pieces that con­sist of hav­ing peo­ple declaim frag­ments of phrases along with some instru­men­tal lines. He seems to be a one-trick pony, and the trick doesn’t maintain its interest for very long. But perhaps a modern art music version of rap is in the making.”

—Mark G. Simon, blogger on www.classicalmusicguide.com, Oct 2009

“Aardig was Culture no. 1, van Aaron Gervais (Canada, 1980) een grappige poging om door middel van een Apple-laptop de populaire cultuur te verzoenen met de klassieke. Harp (Ernestine Stoop) en piano (John Snijders) wonnen het ruimschoots van de eletronica!”

[Next was Culture no.1, by Aaron Gervais (Canada, 1980), a funny attempt to reconcile pop and classical music, by means of an Apple laptop versus harp (Ernestine Stoop) and piano (John Snijders)—the laptop won!]

—Gerard van der Leeuw, De Rode Leeuw, Sep 2006