Aaron Ger­vais is com­poser of new classical/avant-garde music, born in Edmon­ton, Canada, and rep­re­sented by Art Music Pro­mo­tion. He received a Bach­e­lor of Music with Hon­ours from the Uni­ver­sity of Toronto, and a Master’s degree from the Uni­ver­sity of Cal­i­for­nia at San Diego. He has also pur­sued stud­ies at the Konin­klijk Con­ser­va­to­rium in the Hague, Nether­lands. Aaron’s teach­ers have included Chan Ka Nin (CA), Chi­nary Ung (US), Philippe Manoury (FR), and Mar­tijn Padding (NL), and he has also par­tic­i­pated in mas­ter­classes with renowned com­posers from around the world. Prior to study­ing com­po­si­tion, Aaron stud­ied jazz drum­ming and Cuban folk­loric per­cus­sion, includ­ing a sum­mer of pri­vate study in Havana in 2002.

Aaron’s music has been per­formed by major ensem­bles in sev­eral coun­tries, includ­ing the Nieuw Ensem­ble (NL), ork­est de ereprijs (NL), the Ensem­ble con­tem­po­rain de Mon­treal (CA), the Nou­vel ensem­ble mod­erne (CA), Tapes­try New Opera Works (CA), Toca Loca (CA), Con­tin­uum (CA), the Knights Orches­tra (US), the Lon­don Sin­foni­etta (UK), and the Arditti Quar­tet (UK). His music has been broad­cast on CBC Radio/Radio-Canada.

Promi­nent fes­ti­vals have pre­sented Aaron’s work, includ­ing Amsterdam’s pres­ti­gious Gaudea­mus Music Week; Toronto’s New Wave, soundaXis, and SHIFT fes­ti­vals; Aberdeen’s Sound Fes­ti­val; and New York’s MATA Fes­ti­val. He was addi­tion­ally selected as a rep­re­sen­ta­tive for Canada in the 2008 World Music Days in Lithua­nia. One of his solo pieces, Flüsse-Einflüsse, was cho­sen as a required exam piece for the grad­u­at­ing accor­dion stu­dents at the Staatliche Hochschule für Musik – Trossin­gen in 2006.

Aaron was selected as the win­ner of the ork­est de ereprijs’s Inter­na­tional Young Com­posers Com­pe­ti­tion in the Nether­lands in 2009. He has also received var­i­ous other awards and grants, includ­ing an ASCAP Gould Award (2010), six prizes in Canada’s SOCAN Awards for Young Com­posers (2010, 2009, 2008, 2006, 2004, 2004), a Lieu­tenant Gov­er­nor of Alberta Emerg­ing Artist Award (2008), a SOCAN res­i­dency grant (2006), and numer­ous com­mis­sion­ing, travel, project, and study grants.

Long-term musi­cal direc­tions in Aaron’s com­pos­ing include a focus on rhythm and time, a pre­oc­cu­pa­tion with the social and cul­tural fac­tors that influ­ence lis­ten­ing and taste, an inter­est in found mate­ri­als, an explo­ration of what in fact con­sti­tutes cre­ativ­ity, and a fas­ci­na­tion with the ways that social tech­nolo­gies are chang­ing lis­ten­ing habits, to name a few. His music incor­po­rates a wide range of palettes, from rich micro­tonal tex­tures and shim­mer­ing tim­bres to bright chip­per coun­ter­point, upbeat rhyth­mic drive, blunt musi­cal ges­tures, and light-hearted humour.

First of all, a slight change regard­ing the last post­ing. Due to rehearsal sched­ul­ing com­pli­ca­tions, my piece with Esprit’s New Wave Fes­ti­val has been changed. They will be pre­sent­ing Flüsse-Einflüsse instead. Many thanks to Ina Hen­ning for gra­tiously agree­ing to do this on short notice.

Sec­ondly, I am pleased to announce that I was cho­sen to write a piece for the Arditti Quar­tet dur­ing their res­i­dency at UCSD in 2007. The Arditti are one of the most highly-regarded string quar­tets in con­tem­po­rary music and I am more than thrilled to be work­ing with them.