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	<title>Aaron Gervais, composer &#187; flüsse-einflüsse</title>
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	<description>Website for composer Aaron Gervais</description>
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		<title>Short Biography</title>
		<link>http://aarongervais.com/bio/short-biography/</link>
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		<pubDate>Mon, 09 May 2011 18:33:20 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Biographical]]></category>
		<category><![CDATA[alberta foundation for the arts]]></category>
		<category><![CDATA[canada council]]></category>
		<category><![CDATA[chan ka nin]]></category>
		<category><![CDATA[chi­nary ung]]></category>
		<category><![CDATA[con­tin­uum]]></category>
		<category><![CDATA[culture no.1]]></category>
		<category><![CDATA[ensem­ble con­tem­po­rain de mon­tréal]]></category>
		<category><![CDATA[flüsse-einflüsse]]></category>
		<category><![CDATA[gaudeamus]]></category>
		<category><![CDATA[iscm]]></category>
		<category><![CDATA[knights orches­tra]]></category>
		<category><![CDATA[koninklijk conservatorium]]></category>
		<category><![CDATA[mar­tijn padding]]></category>
		<category><![CDATA[masterclasses]]></category>
		<category><![CDATA[mata]]></category>
		<category><![CDATA[new wave festival]]></category>
		<category><![CDATA[nieuw ensem­ble]]></category>
		<category><![CDATA[nou­vel ensem­ble mod­erne]]></category>
		<category><![CDATA[philippe manoury]]></category>
		<category><![CDATA[socan]]></category>
		<category><![CDATA[socan awards]]></category>
		<category><![CDATA[soundaxis]]></category>
		<category><![CDATA[tapes­try new opera works]]></category>
		<category><![CDATA[toca loca]]></category>
		<category><![CDATA[ucsd]]></category>
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		<description><![CDATA[Aaron Gervais is composer of new classical/avant-garde music, born in Edmonton, Canada, and represented by Art Music Promotion. He received a Bachelor of Music with Honours from the University of Toronto, and a Master&#8217;s degree from the University of California at San Diego. He has also pursued studies at the Koninklijk Conservatorium in the Hague, [...]]]></description>
			<content:encoded><![CDATA[<p>Aaron Gervais is composer of new classical/avant-garde music, born in Edmonton, Canada, and represented by Art Music Promotion. He received a Bachelor of Music with Honours from the University of Toronto, and a Master&rsquo;s degree from the University of California at San Diego. He has also pursued studies at the Koninklijk Conservatorium in the Hague, Netherlands. Aaron&rsquo;s teachers have included Chan Ka Nin (CA), Chinary Ung (US), Philippe Manoury (FR), and Martijn Padding (NL), and he has also participated in masterclasses with renowned composers from around the world. Prior to studying composition, Aaron studied jazz drumming and Cuban folkloric percussion, including a summer of private study in Havana in 2002.</p>
<p>Aaron&rsquo;s music has been performed by major ensembles in several countries, including the Nieuw Ensemble (NL), orkest de ereprijs (NL), the Ensemble contemporain de Montreal (CA), the Nouvel ensemble moderne (CA), Tapestry New Opera Works (CA), Toca Loca (CA), Continuum (CA), the Knights Orchestra (US), the London Sinfonietta (UK), and the Arditti Quartet (UK). His music has been broadcast on CBC Radio/Radio-Canada.</p>
<p>Prominent festivals have presented Aaron&rsquo;s work, including Amsterdam&rsquo;s prestigious Gaudeamus Music Week; Toronto&rsquo;s New Wave, soundaXis, and SHIFT festivals; Aberdeen&rsquo;s Sound Festival; and New York&rsquo;s MATA Festival. He was additionally selected as a representative for Canada in the 2008 World Music Days in Lithuania. One of his solo pieces, <a href="http://www.aarongervais.com/wp/music/#flusse-einflusse">Fl&uuml;sse-Einfl&uuml;sse</a>, was chosen as a required exam piece for the graduating accordion students at the Staatliche Hochschule f&uuml;r Musik &ndash; Trossingen in 2006.</p>
<p>Aaron was selected as the winner of the orkest de ereprijs&rsquo;s International Young Composers Competition in the Netherlands in 2009. He has also received various other awards and grants, including an ASCAP Gould Award (2010), six prizes in Canada&rsquo;s SOCAN Awards for Young Composers (2010, 2009, 2008, 2006, 2004, 2004), a Lieutenant Governor of Alberta Emerging Artist Award (2008), a SOCAN residency grant (2006), and numerous commissioning, travel, project, and study grants.</p> 
<p>Long-term musical directions in Aaron&#8217;s composing include a focus on rhythm and time, a preoccupation with the social and cultural factors that influence listening and taste, an interest in found materials, an exploration of what in fact constitutes creativity, and a fascination with the ways that social technologies are changing listening habits, to name a few. His music incorporates a wide range of palettes, from rich microtonal textures and shimmering timbres to bright chipper counterpoint, upbeat rhythmic drive, blunt musical gestures, and light-hearted humour.</p>]]></content:encoded>
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		<title>Esprit Orchestra New Wave Festival</title>
		<link>http://aarongervais.com/performances/esprit-orchestra-new-wave-festival-2/</link>
		<comments>http://aarongervais.com/performances/esprit-orchestra-new-wave-festival-2/#comments</comments>
		<pubDate>Tue, 09 May 2006 06:39:45 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Performances]]></category>
		<category><![CDATA[flüsse-einflüsse]]></category>
		<category><![CDATA[new wave festival]]></category>

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		<description><![CDATA[Performance of Flüsse-Einflüsse.]]></description>
			<content:encoded><![CDATA[<p>Performance of <em>Flüsse-Einflüsse</em>.</p>]]></content:encoded>
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		<title>Arditti Quartet, New Wave Change</title>
		<link>http://aarongervais.com/news/arditti-quartet-new-wave-change/</link>
		<comments>http://aarongervais.com/news/arditti-quartet-new-wave-change/#comments</comments>
		<pubDate>Fri, 21 Apr 2006 07:03:25 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[News and Events]]></category>
		<category><![CDATA[arditti quartet]]></category>
		<category><![CDATA[flüsse-einflüsse]]></category>
		<category><![CDATA[new wave festival]]></category>
		<category><![CDATA[ucsd]]></category>

		<guid isPermaLink="false">http://aarongervais.com/wp/?p=303</guid>
		<description><![CDATA[First of all, a slight change regard&#173;ing the last post&#173;ing. Due to rehearsal sched&#173;ul&#173;ing com&#173;pli&#173;ca&#173;tions, my piece with Esprit&#8217;s New Wave Fes&#173;ti&#173;val has been changed. They will be pre&#173;sent&#173;ing Flüsse-Einflüsse instead. Many thanks to Ina Hen&#173;ning for gra&#173;tiously agree&#173;ing to do this on short notice. Sec&#173;ondly, I am pleased to announce that I was chosen [...]]]></description>
			<content:encoded><![CDATA[<p>First of all, a slight change regard&shy;ing the last post&shy;ing. Due to rehearsal sched&shy;ul&shy;ing com&shy;pli&shy;ca&shy;tions, my piece with Esprit&#8217;s New Wave Fes&shy;ti&shy;val has been changed. They will be pre&shy;sent&shy;ing <a href="http://aarongervais.com/wp/music/#flusse">Flüsse-Einflüsse</a> instead. Many thanks to Ina Hen&shy;ning for gra&shy;tiously agree&shy;ing to do this on short notice. </p> <p>Sec&shy;ondly, I am pleased to announce that I was chosen to write a piece for the Arditti Quar&shy;tet during their res&shy;i&shy;dency at UCSD in 2007. The Arditti are one of the most highly-regarded string quar&shy;tets in con&shy;tem&shy;po&shy;rary music and I am more than thrilled to be work&shy;ing with&nbsp;them.</p>]]></content:encoded>
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		<title>Deutscher Akademischer Austausch Dienst (DAAD) Sound Understanding Gala</title>
		<link>http://aarongervais.com/performances/deutscher-akademischer-austausch-dienst-daad-sound-understanding-gala/</link>
		<comments>http://aarongervais.com/performances/deutscher-akademischer-austausch-dienst-daad-sound-understanding-gala/#comments</comments>
		<pubDate>Sat, 09 Apr 2005 06:56:57 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Performances]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[daad]]></category>
		<category><![CDATA[flüsse-einflüsse]]></category>
		<category><![CDATA[première]]></category>

		<guid isPermaLink="false">http://aarongervais.com/wp/?p=571</guid>
		<description><![CDATA[Premi&#232;re of Fl&#252;sse-Einfl&#252;sse, performed by Ina Henning.]]></description>
			<content:encoded><![CDATA[<p>Premi&egrave;re of <em>Fl&uuml;sse-Einfl&uuml;sse</em>, performed by Ina Henning.</p>]]></content:encoded>
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		<title>Flüsse-Einflüsse</title>
		<link>http://aarongervais.com/music/flsse-einflsse/</link>
		<comments>http://aarongervais.com/music/flsse-einflsse/#comments</comments>
		<pubDate>Mon, 07 Mar 2005 07:22:17 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[accordion]]></category>
		<category><![CDATA[flüsse-einflüsse]]></category>
		<category><![CDATA[solo]]></category>

		<guid isPermaLink="false">http://aarongervais.com/wp/?p=389</guid>
		<description><![CDATA[Fl&#252;sse-Einfl&#252;sse is German for Streams-Influences. The con&#173;cept of the con&#173;ver&#173;gence of mul&#173;ti&#173;ple streams of influ&#173;ence is impor&#173;tant to me, because I am a clas&#173;si&#173;cal com&#173;poser coming from a jazz and pop back&#173;ground. Sim&#173;i&#173;larly, the 2004/2005 DAAD Sound Under&#173;stand&#173;ing con&#173;cert for which Fl&#252;sse-Einfl&#252;sse was writ&#173;ten fea&#173;tured both clas&#173;si&#173;cal and jazz per&#173;form&#173;ers. This idea of mul&#173;ti&#173;ple streams [...]]]></description>
			<content:encoded><![CDATA[<p><em>Fl&uuml;sse-Einfl&uuml;sse</em> is German for <em>Streams-Influences</em>. The con&shy;cept of the con&shy;ver&shy;gence of mul&shy;ti&shy;ple streams of influ&shy;ence is impor&shy;tant to me, because I am a clas&shy;si&shy;cal com&shy;poser coming from a jazz and pop back&shy;ground.  Sim&shy;i&shy;larly, the 2004/2005 DAAD Sound Under&shy;stand&shy;ing con&shy;cert for which <em>Fl&uuml;sse-Einfl&uuml;sse</em> was writ&shy;ten fea&shy;tured both clas&shy;si&shy;cal and jazz per&shy;form&shy;ers. This idea of mul&shy;ti&shy;ple streams con&shy;verg&shy;ing is car&shy;ried through&shy;out the piece on sev&shy;eral levels, from the mate&shy;r&shy;ial (taken from two of my favourite jazz tunes but reworked clas&shy;si&shy;cally), to the inter&shy;ac&shy;tion between per&shy;former and com&shy;poser (some sec&shy;tions are writ&shy;ten out, others are impro&shy;vised), to the inter&shy;ac&shy;tion of reg&shy;is&shy;ters, tex&shy;tures, and formal elements.</p>]]></content:encoded>
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