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	<title>Aaron Gervais, composer &#187; four stills on evaporation</title>
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		<title>Domaine Forget Concert</title>
		<link>http://aarongervais.com/performances/domaine-forget-concert/</link>
		<comments>http://aarongervais.com/performances/domaine-forget-concert/#comments</comments>
		<pubDate>Thu, 09 Aug 2007 06:00:36 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Performances]]></category>
		<category><![CDATA[domaine forget]]></category>
		<category><![CDATA[four stills on evaporation]]></category>
		<category><![CDATA[nouvel ensemble moderne]]></category>

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		<description><![CDATA[Members of the Nouvel ensemble moderne will be performing my string quartet, Four Stills on Evaporation.]]></description>
			<content:encoded><![CDATA[<p>Members of the Nouvel ensemble moderne will be performing my string quartet, <em>Four Stills on Evaporation</em>.</p>]]></content:encoded>
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		<title>Arditti Quartet Residency</title>
		<link>http://aarongervais.com/performances/arditti-quartet-residency-2/</link>
		<comments>http://aarongervais.com/performances/arditti-quartet-residency-2/#comments</comments>
		<pubDate>Fri, 09 Feb 2007 06:13:18 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Performances]]></category>
		<category><![CDATA[arditti quartet]]></category>
		<category><![CDATA[four stills on evaporation]]></category>
		<category><![CDATA[première]]></category>
		<category><![CDATA[ucsd]]></category>

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		<description><![CDATA[Première of Four Stills on Evaporation.]]></description>
			<content:encoded><![CDATA[<p>Première of <em>Four Stills on Evaporation</em>.</p>]]></content:encoded>
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		<title>Four Stills on Evaporation in Thirty-One  Fragments</title>
		<link>http://aarongervais.com/music/four-stills-on-evaporation-in-thirty-one-fragments/</link>
		<comments>http://aarongervais.com/music/four-stills-on-evaporation-in-thirty-one-fragments/#comments</comments>
		<pubDate>Wed, 07 Feb 2007 07:47:36 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Musical Works]]></category>
		<category><![CDATA[arditti quartet]]></category>
		<category><![CDATA[cello]]></category>
		<category><![CDATA[chamber]]></category>
		<category><![CDATA[four stills on evaporation]]></category>
		<category><![CDATA[string quartet]]></category>
		<category><![CDATA[viola]]></category>
		<category><![CDATA[violin]]></category>

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		<description><![CDATA[This piece reflects my ongo­ing inter­ests in sec­tional forms, doing away with tran­si­tional mate­r­ial, and the chal­leng­ing of aes­thetic assump­tions. There is no attempt to relate any of the mate­ri­als of the piece over the large scale. Instead, I have focused on a broad ges­ture—that of a long dimin­u­endo—that goes from begin­ning to end. Within [...]]]></description>
			<content:encoded><![CDATA[<p>This piece reflects my ongo­ing inter­ests in sec­tional forms, doing away with tran­si­tional mate­r­ial, and the chal­leng­ing of aes­thetic assump­tions. There is no attempt to relate any of the mate­ri­als of the piece over the large scale. Instead, I have focused on a broad ges­ture—that of a long dimin­u­endo—that goes from begin­ning to end. Within that ges­ture are a series of thirty-one frag­ments, some with local rela­tion­ships to adjoin­ing frag­ments, some with­out. No struc­tures or orga­niz­ing prin­ci­ples have been used that are not imme­di­ately appar­ent to the ear, and each sec­tion is com­posed intu­itively with regard to pitch, rhythm, tone colour, and phras­ing. The piece also includes sev­eral the­atri­cal ele­ments, and is there­fore best appre­ci­ated in a live performance.</p>]]></content:encoded>
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