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	<title>Aaron Gervais, composer &#187; four stills on evaporation</title>
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		<title>Domaine Forget Concert</title>
		<link>http://aarongervais.com/performances/domaine-forget-concert/</link>
		<comments>http://aarongervais.com/performances/domaine-forget-concert/#comments</comments>
		<pubDate>Thu, 09 Aug 2007 06:00:36 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Performances]]></category>
		<category><![CDATA[domaine forget]]></category>
		<category><![CDATA[four stills on evaporation]]></category>
		<category><![CDATA[nouvel ensemble moderne]]></category>

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		<description><![CDATA[Members of the Nouvel ensemble moderne will be performing my string quartet, Four Stills on Evaporation.]]></description>
			<content:encoded><![CDATA[<p>Members of the Nouvel ensemble moderne will be performing my string quartet, <em>Four Stills on Evaporation</em>.</p>]]></content:encoded>
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		<title>Arditti Quartet Residency</title>
		<link>http://aarongervais.com/performances/arditti-quartet-residency-2/</link>
		<comments>http://aarongervais.com/performances/arditti-quartet-residency-2/#comments</comments>
		<pubDate>Fri, 09 Feb 2007 06:13:18 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Performances]]></category>
		<category><![CDATA[arditti quartet]]></category>
		<category><![CDATA[four stills on evaporation]]></category>
		<category><![CDATA[première]]></category>
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		<description><![CDATA[Premi&#232;re of Four Stills on Evaporation.]]></description>
			<content:encoded><![CDATA[<p>Premi&egrave;re of <em>Four Stills on Evaporation</em>.</p>]]></content:encoded>
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		<title>Four Stills on Evaporation in Thirty-One  Fragments</title>
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		<comments>http://aarongervais.com/music/four-stills-on-evaporation-in-thirty-one-fragments/#comments</comments>
		<pubDate>Wed, 07 Feb 2007 07:47:36 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[arditti quartet]]></category>
		<category><![CDATA[cello]]></category>
		<category><![CDATA[chamber]]></category>
		<category><![CDATA[four stills on evaporation]]></category>
		<category><![CDATA[string quartet]]></category>
		<category><![CDATA[viola]]></category>
		<category><![CDATA[violin]]></category>

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		<description><![CDATA[This piece reflects my ongo&#173;ing inter&#173;ests in sec&#173;tional forms, doing away with tran&#173;si&#173;tional mate&#173;r&#173;ial, and the chal&#173;leng&#173;ing of aes&#173;thetic assump&#173;tions. There is no attempt to relate any of the mate&#173;ri&#173;als of the piece over the large scale. Instead, I have focused on a broad ges&#173;ture&#8212;that of a long dimin&#173;u&#173;endo&#8212;that goes from begin&#173;ning to end. Within [...]]]></description>
			<content:encoded><![CDATA[<p>This piece reflects my ongo&shy;ing inter&shy;ests in sec&shy;tional forms, doing away with tran&shy;si&shy;tional mate&shy;r&shy;ial, and the chal&shy;leng&shy;ing of aes&shy;thetic assump&shy;tions. There is no attempt to relate any of the mate&shy;ri&shy;als of the piece over the large scale. Instead, I have focused on a broad ges&shy;ture&#8212;that of a long dimin&shy;u&shy;endo&#8212;that goes from begin&shy;ning to end. Within that ges&shy;ture are a series of thirty-one frag&shy;ments, some with local rela&shy;tion&shy;ships to adjoin&shy;ing frag&shy;ments, some with&shy;out. No struc&shy;tures or orga&shy;niz&shy;ing prin&shy;ci&shy;ples have been used that are not imme&shy;di&shy;ately appar&shy;ent to the ear, and each sec&shy;tion is com&shy;posed intu&shy;itively with regard to pitch, rhythm, tone colour, and phras&shy;ing. The piece also includes sev&shy;eral the&shy;atri&shy;cal ele&shy;ments, and is there&shy;fore best appre&shy;ci&shy;ated in a live performance.</p>]]></content:encoded>
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