Tag: recycled 80s live

Jul 2009
Com­po­si­tion Fel­low
Cham­ber Music Con­fer­ence and Com­posers’ Forum of the East
Ben­ning­ton VTUSA
By invi­ta­tion. Duties include com­pos­ing a work for ama­teur musi­cians and coach­ing the ensemble.
Feb 2009
ork­est de ereprijs Young Com­posers Meet­ing
Apel­doorn, the Netherlands
Win­ner of the 2009 com­pe­ti­tion. Wrote a piece for the ensem­ble, par­tic­i­pated in masterclasses.
2008–present
Artis­tic Direc­tor
Recy­cled 80s Live
Canada
Con­ceived and orga­nized the cre­ation of a concert-length, ampli­fied piece for night­clubs based on quo­ta­tions of ‘80s pop songs, includ­ing com­po­si­tion of the score, hir­ing of musi­cians, arrang­ing for per­for­mances, and cre­at­ing audio–video sup­port materials.
Nov–Dec 2009
Banff Cen­tre Fall Cre­ative Music Res­i­dency
Banff, Canada
Sep–Dec 2007
Konin­klijk Con­ser­va­to­rium Res­i­dency
the Hague, the Netherlands
Pro­fes­sional devel­op­ment res­i­dency and com­po­si­tion mas­ter­classes with Mar­tijn Padding.
Aug 2007
Domaine For­get Acad­emy New Music Sem­i­nar
St-Irénée QC, Canada
Par­tic­i­pated in mas­ter­classes. Rehearsals and per­for­mance with the Nou­vel ensem­ble mod­erne.
Feb 2007
Arditti Quar­tet Res­i­dency, UC San Diego Vis­it­ing Artist Pro­gram
San Diego, USA
Com­posed a piece for the Arditti Quar­tet. Rehearsals, record­ing, and mas­ter­classes with the quartet.
2005–2007
Teach­ing Assis­tant
Uni­ver­sity of Cal­i­for­nia, San Diego
Prepa­ra­tion: Three-month, inten­sive ped­a­gogy sem­i­nar on teach­ing crit­i­cal read­ing and writ­ing to undergraduates.
Duties: Attend­ing lec­tures and meet­ings with pro­fes­sors, cre­at­ing les­son plans based on course read­ing, teach­ing classes, hold­ing office hours, help­ing stu­dents develop research papers, and grad­ing writ­ten assign­ments and exams.
Classes Taught: (Music) MUS1B Music The­ory, MUS12 Intro to Opera, MUS4 Intro­duc­tion to West­ern Music His­tory, LTEN159 Pop­u­lar Music of the ‘60s; (World Lit­er­a­ture) MMW2 The Great Clas­si­cal Tra­di­tions, MMW3 The Medieval Heritage.
2005–2006
Com­poser in Res­i­dence
Ensem­ble con­tem­po­rain de Mon­tréal Généra­tion 2006
Mon­tréal, Canada
Wrote a piece for the ensem­ble, gave a mas­ter­class on my music at the École de musique Vin­cent d’Indy, rehearsals with stu­dent musi­cians, work­shop and rehearsals with the ensem­ble, cross-Canada tour.
Aug 2005
Tapes­try New Opera Works Composer–Librettist Lab­o­ra­tory
Toronto, Canada
Com­po­si­tion of four short opera scenes with four libret­tists, daily mas­ter­classes and dis­cus­sions, rehearsals with per­form­ers, performances.
Sep 2004–Jan 2005
Uni­ver­sity of Toronto Con­tem­po­rary Opera Show­case Pro­gramme
Toronto, Canada
Only under­grad­u­ate stu­dent invited to par­tic­i­pate. Wrote a cham­ber opera for U of T stu­dents, rehearsed with the singers and ensem­ble, held meet­ings with the music director.
Spring 2004
Artis­tic Direc­tor, Orga­nizer
Uni­ver­sity of Toronto – Har­vard Com­po­si­tion Exchange
Orga­nized a student-run exchange between com­po­si­tion stu­dents at both uni­ver­si­ties. Curated a con­cert of stu­dent works.
Spring 2004
Artis­tic Direc­tor, Organizer
Curated a con­cert of new music for sax­o­phone in Toronto. Respon­si­ble for find­ing per­form­ers, com­pos­ing a new piece, mak­ing pro­gram­ming deci­sions for other reper­toire, and pub­li­ciz­ing the concert.
Sum­mer 2002
Artis­tic Direc­tor, Organizer
Curated a con­cert of new music for stu­dent com­posers at the Uni­ver­sity of Alberta. Respon­si­ble for find­ing per­form­ers, com­pos­ing a new piece, mak­ing pro­gram­ming deci­sions for other reper­toire, and pub­li­ciz­ing the concert.
1995–present
Pri­vate music instruc­tor in per­cus­sion, com­po­si­tion, music the­ory, and history.
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Reg­u­lar read­ers will recall the ‘80s col­lage piece I was work­ing on in 2008. I’ve since put together a pro­mo­tional web­site for the pro­ject, and have started plan­ning a West Coast tour of North Amer­ica, ten­ta­tively slot­ted for late 2010. More infor­ma­tion as it be­comes avail­able, posted here and at recy​cled80s​live​.com.

This year is off to a busy start, with two pre­mières in Feb. One is a col­lage piece based on love songs, for the ork­est de ereprijs in Hol­land. The other piece, for soprano and speak­ing pianist, is based on spam email texts and is being pre­mièred in Toronto’s SHIFT Fes­ti­val by pianist Greg Oh and soprano Xin Wang.

In addi­tion, I’m work­ing on a piece for Brazilian-Canadian pianist, Luciane Car­dassi, which will involve elec­tron­ics and her voice (in addi­tion to her piano play­ing). I’m also work­ing on a col­lab­o­ra­tive mul­ti­me­dia piece with Amsterdam-based flautist/composer Anne La Berge.

Lastly, after a suc­cess­ful pre­mière in Banff last month, I’m putting together mate­ri­als based on Recy­cled 80s Live, which will be acces­si­ble here once they’re ready. I’m cur­rently in the plan­ning phases for an even­tual tour of the piece; details TBA as they become available.

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If you’re in the Banff or Cal­gary area, come out to the pre­mière of my new pro­ject. Also pass this along to your friends.

For those liv­ing too far away to attend, a pro­ject web­site is in the works, with video and audio clips, slated for early 2009.

handbill for Recycled 80s Live pre­mière
9 Dec 2008
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Pre­mière of Recy­cled 80s Live at the Banff Cen­tre for the Arts, a mash-up of ‘80s tunes per­formed live.

4:30pm, Bentley Music Studio
107 Tunnel Mountain Drive (map)
Banff, Canada
Admission: Free
www.banffcentre.ca/events    
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I’m happy to say I was awarded another SOCAN Award this year, for Cul­ture no.3.

Also, in other news, work on the night­club project, now titled Recy­cled 80s Live, is pro­gress­ing well. The first per­for­mance will take place at the Banff Cen­tre for the Arts in Dec, and a project web­site and media clips should be avail­able shortly there­after. Fur­ther per­for­mances in 2009 are in the plan­ning stages.

Lastly, be sure to check the Per­for­mances sec­tion for upcom­ing concerts.

Some excit­ing news. I’ve received fund­ing to develop a musi­cal project that I have been plan­ning for sev­eral years. It involves writ­ing an evening-length piece for ampli­fied instru­ments, to be per­formed in non-traditional venues such as night­clubs. This is a large-scale project that I will be work­ing on over the remain­der of the year. More infor­ma­tion to be posted as the work progresses.