Tag: tapestry

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A long-term pro­ject of mine is moving for­ward this year. Tapes­try New Opera applied for and received fund­ing from Opera.ca to pro­duce the first act of the opera I have been devel­op­ing with libret­tist, Colleen Murphy. We’ll be involved in round­table dis­cus­sions on the opera in Toronto this spring, and I will be com­pos­ing the music for one act of the opera, to be work­shopped at the Banff Centre in August of this year. The act will then be fully pro­duced in the first part of 2010. More details to fol­low as they become avail­able.

8 Jun 2007
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This festival of libretto readings features the new short works for next year’s Opera to Go, as well as excerpts of text and music from Netsuke (by librettist Jill Battson & composer Rose Bolton) and The Enslavement and Liberation of Oksana G (by librettist Colleen Murphy & composer Aaron Gervais), two full-length operas in development at Tapestry.

7:30pm, Ernest Balmer Studio
55 Mill Street (map)
Toronto, Canada
Tel: 416-537-6066 x 221 | Tickets: $10 / $5 students
www.tapestrynewopera.com    
1 Mar 2006
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From March 1–18, five one-act operas, including a work by Colleen Murphy and myself.

8:00pm, Young Centre for the Performing Arts, Charles and Marilyn Baillie Theatre
Distillery District
Toronto, Canada
www.tapestrynewopera.com    
Instru­men­ta­tion: sop, ten, bari, clar, perc, pno, vln, vc, cb
Dura­tion: 15’00
Com­mis­sioned by Tapes­try New Opera Works
Pro­gramme Note

I wrote this cham­ber opera for three singers and six instru­men­tal­ists in con­junc­tion with Colleen Murphy for Tapestry’s Opera To Go series. It tells the story of a young East­ern Euro­pean woman (Oksana) who has found her­self in the safe­house of an Ital­ian priest (Alessan­dro). She has escaped from a pimp (Kon­stan­tin), who tricked her into pros­ti­tu­tion, and now finds that she is falling in love with Alessan­dro. He in turn, despite his priestly call­ing, finds him­self tempted by Oksana. During this scene, they dance around the com­pli­ca­tions of their sit­u­a­tion, each one afraid to reveal him- or her- self to the other. In addi­tion, another prob­lem presents itself at the end of the scene.

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I have a couple of upcom­ing per­for­mances of note, includ­ing the Tapes­try Opera To Go 2006 series, and my first com­po­si­tion jury at UCSD. I’ve also made some updates to my short bio, the pic­tures sec­tion, and my CV.

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I’m start­ing to get set­tled in San Diego, and have updated con­tact infor­ma­tion to reflect that change. I’ve also posted an upcom­ing per­for­mance by Tapes­try New Opera of two my short opera scenes, for those who will be in the Toronto area. See the per­for­mances sec­tion for details.

27 Sep 2005
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Ten brief works from Tapestry’s 2005 Composer–Librettist Laboratory, including two of mine.

8:00pm, Tapestry/Nightwood Studio, Distillery District
55 Mill Street, The Cannery (Building 58), Studio 315
Toronto, Canada
Tel: 416.537.6066
www.tapestrynewopera.com    
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The Tapes­try LibLab was a suc­cess and I’ve been pack­ing like mad since then. Now I’m off to San Diego to start my Master’s degree. I’ll post news and updates as I get set­tled into the rou­tine of South­ern Cal­i­for­nia. Best wishes to every­one back in Toronto.

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I was chosen for the 2005 edi­tion of the Tapes­try “LibLab”. We will be writ­ing, rehears­ing, and per­form­ing inten­sive short opera scenes daily in Toronto between August 15-24. There are four com­posers and four libret­tists, and we rotate so that each com­poser works with each libret­tist and vice versa. For more infor­ma­tion, see Tapes­try New Opera.