Tag: toca loca

Artist: Toca Loca
Year: 2009
Label: Centrediscs / Centredisques CMCCD 15009

Toca Loca’s debut album, P*P, includes a fan­tas­tic ver­sion of my piece, Cul­ture no.2 (or, Shoot Like a Film Star). It also includes great pieces by a range of Cana­dian com­posers in the clas­si­cal, jazz, and pop idioms. From the ensemble:

P*P exam­ines the fierce and fear­some tax­on­omy that his­tor­i­cally has made some com­posers soul­fully clas­si­cal, and oth­ers pop­u­lar. The cutting-edge of Canada’s com­posers write P*P-length, P*P-inspired works, the All-Stars of jazz throw their hats in the ring, and some of Canada’s most inter­est­ing indie-rockers flex their con­tem­po­rary music chops.”

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Cana­dian Trio Toca Loca recently launched their debut album, which includes a fan­tas­tic ver­sion of my piece, Cul­ture no.2 (or, Shoot Like a Film Star), which they com­mis­sioned in 2007. The album is avail­able through Cen­ter­Discs and can also be ordered through iTunes and Ama­zon. Also check out details about their CD launches in Berlin and Vancouver.

27 Feb 2009
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Pianist Greg Oh and soprano Xin Wang pre­mière a new piece of mine, Sen­sa­tional Rev­o­lu­tion in Med­i­cine, for piano and speak­ing pianist, based on spam email texts, on Toca Loca’s con­cert in the SHIFT Festival.

8:00pm, The Music Gallery
197 John Street (map)
Toronto, Canada
www.shift-festival.ca/festival-events/toronto/toca-loca-concert.html    www.tocaloca.com    www.musicgallery.org    

I was born in Edmon­ton, Canada, in 1980. I received my Bach­e­lor of Music with Hon­ours from the Uni­ver­sity of Toronto (2005), and my Master’s degree from the Uni­ver­sity of Cal­i­for­nia at San Diego (2007). I have also pur­sued stud­ies at the Konin­klijk Con­ser­va­to­rium in the Hague, Nether­lands. My teach­ers have included Chan Ka Nin, Chi­nary Ung, Philippe Manoury, and Mar­tijn Padding, among oth­ers. In addi­tion, I have par­tic­i­pated in mas­ter­classes with com­posers such as Gilles Trem­blay, Mario Davi­dovsky, Denys Bou­liane, François Paris, and Hel­mut Lachen­mann. Prior to study­ing com­po­si­tion, I stud­ied jazz drum­ming and Cuban folk­loric per­cus­sion, which took to me to Havana for a sum­mer of pri­vate study in 2002.

I have had per­for­mances and com­mis­sions from ensem­bles in sev­eral coun­tries, includ­ing the Nieuw Ensem­ble, the Ensem­ble con­tem­po­rain de Mon­treal, the Nou­vel ensem­ble mod­erne, the Uni­ver­sity of Alberta’s Acad­emy String Orches­tra, Tapes­try New Opera Works, Toca Loca, Con­tin­uum, the Knights Orches­tra, and the Arditti Quar­tet. My music has been per­formed in Canada, the USA, Cuba, the UK, Ger­many, and the Nether­lands. Radio broad­casts include CBC Radio 2, Radio-Canada’s Espace musique, and Toronto’s CIUT.

My music has been pre­sented in fes­ti­vals such as Amsterdam’s Gaudea­mus Music Week (my piece Cul­ture no.1 was selected for their 2006 com­pe­ti­tion), Toronto’s New Wave, soundaXis, and SHIFT fes­ti­vals; Aberdeen’s Sound Fes­ti­val; and New York’s MATA Fes­ti­val. I was addi­tion­ally selected as a rep­re­sen­ta­tive for Canada in the 2008 World Music Days in Lithua­nia. One of my solo pieces, Flüsse-Einflüsse, was cho­sen as a required exam piece for the grad­u­at­ing accor­dion stu­dents at the Staatliche Hochschule für Musik – Trossin­gen in 2006. I have also received var­i­ous awards and grants, includ­ing four prizes in Canada’s SOCAN Awards for Young Com­posers (2004, 2004, 2006, 2008), a SOCAN res­i­dency grant, two grad­u­at­ing schol­ar­ships from U of T, as well as com­mis­sion­ing, travel, project, and study grants from the Canada Coun­cil for the Arts and the Alberta Foun­da­tion for the Arts.

This year is off to a busy start, with two pre­mières in Feb. One is a col­lage piece based on love songs, for the ork­est de ereprijs in Hol­land. The other piece, for soprano and speak­ing pianist, is based on spam email texts and is being pre­mièred in Toronto’s SHIFT Fes­ti­val by pianist Greg Oh and soprano Xin Wang.

In addi­tion, I’m work­ing on a piece for Brazilian-Canadian pianist, Luciane Car­dassi, which will involve elec­tron­ics and her voice (in addi­tion to her piano play­ing). I’m also work­ing on a col­lab­o­ra­tive mul­ti­me­dia piece with Amsterdam-based flautist/composer Anne La Berge.

Lastly, after a suc­cess­ful pre­mière in Banff last month, I’m putting together mate­ri­als based on Recy­cled 80s Live, which will be acces­si­ble here once they’re ready. I’m cur­rently in the plan­ning phases for an even­tual tour of the piece; details TBA as they become available.

Instru­men­ta­tion: pno, pno, perc, performers’ speak­ing voices
Dura­tion: Vari­able, 3’00–15’00
Com­mis­sioned by Toca Loca with assis­tance from the Canada Coun­cil for the Arts
mp3 listen to Cul­ture no.2 (or, Shoot Like a Film Star)
Per­form­ers: Toca Loca: Gre­gory Oh – piano, Simon Dock­ing – piano, Aiyun Huang – percussion
Pro­gramme Note

This is the mid­dle piece in my Cul­ture series, which is an explo­ration of the effects that today’s cul­tural con­text has on mak­ing our music what it is. The text for the piece is taken from a junk e-mail mes­sage—cer­tainly among the more recent of lit­er­ary gen­res. It attracted me because it is com­posed entirely of mono­syl­labic words, with no rep­e­ti­tion; a kind of het­ero­ge­neous stream that strikes me as contemporary.

The mid­dle sec­tion of the piece is inde­ter­mi­nate or open: the per­form­ers decide how the musi­cal mate­ri­als will be pre­sented. This is also some­thing that I take from the Cul­ture theme, because the mul­ti­plic­ity of pos­si­bil­i­ties, end­less var­ie­ga­tion, and the impos­si­bil­ity of find­ing “right” answers seem to me impor­tant cul­tural prob­lems today.

16 Mar 2008
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Pre­mière of a new work writ­ten for Toca Loca

8:00pm, Convocation Hall, Arts Building
University of Alberta
Edmonton, Canada
Admission: $20/$15/$10
www.ualberta.ca/music    
18 Mar 2008
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Per­for­mance of a new work writ­ten for Toca Loca.

12:45pm, Eva Clare Hall, Faculty of Music
University of Manitoba
Winnipeg, Canada
Admission: Free
www.umanitoba.ca/faculties/music    
25 Mar 2008
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Per­for­mance of a new work writ­ten for Toca Loca.

8:00pm, Glenn Gould Studio, CBC Building
250 Front Street West (map)
Toronto, Canada
Tel: 416.205.5555 | Admission: $20/$15
www.glenngouldstudio.cbc.ca/onstage    
26 Mar 2008
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Per­for­mance of a new work writ­ten for Toca Loca.

7:00pm, The Music Room
6181 Lady Hammond Road (map)
Halifax, Canada
Tel: 902.429.9467 | Admission: $15/$10