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	<title>Aaron Gervais, composer &#187; trio</title>
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	<link>http://aarongervais.com</link>
	<description>Website for composer Aaron Gervais</description>
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		<title>junctQín premières Disney Princess Disasters</title>
		<link>http://aarongervais.com/performances/junctqin-premieres-disney-princess-disasters/</link>
		<comments>http://aarongervais.com/performances/junctqin-premieres-disney-princess-disasters/#comments</comments>
		<pubDate>Mon, 04 Jul 2011 01:33:57 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Performances]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[disney princess disasters]]></category>
		<category><![CDATA[fairytales]]></category>
		<category><![CDATA[junctqin]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[première]]></category>
		<category><![CDATA[sleeping beauty]]></category>
		<category><![CDATA[snow white]]></category>
		<category><![CDATA[the little mermaid]]></category>
		<category><![CDATA[trio]]></category>
		<category><![CDATA[vocal]]></category>

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		<description><![CDATA[The junctQín keyboard collective première this new work on the Barrie’s Colours of Music festival. Based on classic fairytales with alternate endings, Disney Princess Disasters includes three pianists, three squeeze toys, one piano, and three fairytale princesses whose fates take a turn for the unexpected…]]></description>
			<content:encoded><![CDATA[<p>The <a href="http://junctqin.com/">junctQín keyboard collective</a> première this new work on the Barrie’s Colours of Music festival. Based on classic fairytales with alternate endings, <em>Disney Princess Disasters</em> includes three pianists, three squeeze toys, one piano, and three fairytale princesses whose fates take a turn for the unexpected…</p>]]></content:encoded>
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		<title>Culture no.2 (or, Shoot Like a Film Star)</title>
		<link>http://aarongervais.com/music/culture-no-2-or-shoot-like-a-film-star/</link>
		<comments>http://aarongervais.com/music/culture-no-2-or-shoot-like-a-film-star/#comments</comments>
		<pubDate>Sun, 07 Dec 2008 01:10:24 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[chamber]]></category>
		<category><![CDATA[culture no.2]]></category>
		<category><![CDATA[percussion]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[speaking]]></category>
		<category><![CDATA[toca loca]]></category>
		<category><![CDATA[trio]]></category>

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		<description><![CDATA[This is the middle piece in my Cul­ture series, which is an explo­ration of the effects that today’s cul­tural con­text has on making our music what it is. The text for the piece is taken from a junk e-mail mes­sage—cer­tainly among the more recent of lit­er­ary genres. It attracted me because it is com­posed entirely [...]]]></description>
			<content:encoded><![CDATA[<p>This is the middle piece in my Cul­ture series, which is an explo­ration of the effects that today’s 
cul­tural con­text has on making our music what it is. The text for the piece is taken from a junk 
e-mail mes­sage—cer­tainly among the more recent of lit­er­ary genres. It attracted me because it is 
com­posed entirely of mono­syl­labic words, with no rep­e­ti­tion; a kind of het­ero­ge­neous stream 
that strikes me as contemporary.</p>
				<p>The middle sec­tion of the piece is inde­ter­mi­nate or open: the per­form­ers decide how the musi­cal 
mate­ri­als will be pre­sented. This is also some­thing that I take from the Cul­ture theme, because the 
mul­ti­plic­ity of pos­si­bil­i­ties, end­less var­ie­ga­tion, and the impos­si­bil­ity of find­ing “right” answers 
seem to  me impor­tant cul­tural prob­lems today.</p>]]></content:encoded>
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