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	<title>Aaron Gervais, composer &#187; trio</title>
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	<link>http://aarongervais.com</link>
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		<title>junctQín premières Disney Princess Disasters</title>
		<link>http://aarongervais.com/performances/junctqin-premieres-disney-princess-disasters/</link>
		<comments>http://aarongervais.com/performances/junctqin-premieres-disney-princess-disasters/#comments</comments>
		<pubDate>Mon, 04 Jul 2011 01:33:57 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Performances]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[disney princess disasters]]></category>
		<category><![CDATA[fairytales]]></category>
		<category><![CDATA[junctqin]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[première]]></category>
		<category><![CDATA[sleeping beauty]]></category>
		<category><![CDATA[snow white]]></category>
		<category><![CDATA[the little mermaid]]></category>
		<category><![CDATA[trio]]></category>
		<category><![CDATA[vocal]]></category>

		<guid isPermaLink="false">http://aarongervais.com/?p=1642</guid>
		<description><![CDATA[The junctQín keyboard collective première this new work on the Barrie&#8217;s Colours of Music festival. Based on classic fairytales with alternate endings, Disney Princess Disasters includes three pianists, three squeeze toys, one piano, and three fairytale princesses whose fates take a turn for the unexpected&#8230;]]></description>
			<content:encoded><![CDATA[<p>The <a href="http://junctqin.com/">junctQín keyboard collective</a> première this new work on the Barrie&#8217;s Colours of Music festival. Based on classic fairytales with alternate endings, <em>Disney Princess Disasters</em> includes three pianists, three squeeze toys, one piano, and three fairytale princesses whose fates take a turn for the unexpected&#8230;</p>]]></content:encoded>
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		<title>Culture no.2 (or, Shoot Like a Film Star)</title>
		<link>http://aarongervais.com/music/culture-no-2-or-shoot-like-a-film-star/</link>
		<comments>http://aarongervais.com/music/culture-no-2-or-shoot-like-a-film-star/#comments</comments>
		<pubDate>Sun, 07 Dec 2008 01:10:24 +0000</pubDate>
		<dc:creator>Aaron Gervais</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[chamber]]></category>
		<category><![CDATA[culture no.2]]></category>
		<category><![CDATA[percussion]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[speaking]]></category>
		<category><![CDATA[toca loca]]></category>
		<category><![CDATA[trio]]></category>

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		<description><![CDATA[This is the middle piece in my Cul&#173;ture series, which is an explo&#173;ration of the effects that today&#8217;s cul&#173;tural con&#173;text has on making our music what it is. The text for the piece is taken from a junk e-mail mes&#173;sage&#8212;cer&#173;tainly among the more recent of lit&#173;er&#173;ary genres. It attracted me because it is com&#173;posed entirely [...]]]></description>
			<content:encoded><![CDATA[<p>This is the middle piece in my Cul&shy;ture series, which is an explo&shy;ration of the effects that today&rsquo;s 
cul&shy;tural con&shy;text has on making our music what it is. The text for the piece is taken from a junk 
e-mail mes&shy;sage&#8212;cer&shy;tainly among the more recent of lit&shy;er&shy;ary genres. It attracted me because it is 
com&shy;posed entirely of mono&shy;syl&shy;labic words, with no rep&shy;e&shy;ti&shy;tion; a kind of het&shy;ero&shy;ge&shy;neous stream 
that strikes me as contemporary.</p>
				<p>The middle sec&shy;tion of the piece is inde&shy;ter&shy;mi&shy;nate or open: the per&shy;form&shy;ers decide how the musi&shy;cal 
mate&shy;ri&shy;als will be pre&shy;sented. This is also some&shy;thing that I take from the Cul&shy;ture theme, because the 
mul&shy;ti&shy;plic&shy;ity of pos&shy;si&shy;bil&shy;i&shy;ties, end&shy;less var&shy;ie&shy;ga&shy;tion, and the impos&shy;si&shy;bil&shy;ity of find&shy;ing &ldquo;right&rdquo; answers 
seem to  me impor&shy;tant cul&shy;tural prob&shy;lems today.</p>]]></content:encoded>
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