Factory spewing music notes
Not everyone buys my claim that entrepreneurship is impossible in art, so I want to spill a few more pixels on this question. Whether or not you agree with me, you’ve got to admit that entrepreneurship hasn’t been a winning formula for artists as a whole—unsurprisingly so when you examine the fundamental characteristics of both disciplines. Art is infinitely scalable, communal, inherently subjective, and useless by design. Entrepreneurship is scarcity-based, individualistic, inherently objective, and pragmatic by design. Both are creative activities, but of opposite types.
When you look more closely you’ll notice that “art entrepreneurship” is and has always been about art technology, not art itself. (more…)
For decades now, classical music proponents have tried to make their organizations more accessible in order to attract audiences. This has always been a misguided and ineffective technique, and in fact I think it’s part of the reason we’ve seen shrinking interest in classical music even as other “high art” forms gain status and popularity.
The failure of classical music versus other art forms really hit home for me recently when I read this article: a young, cultured non-musician goes to hear an orchestral premiere of a composer he knows in another context and grapples to try to understand the music. He feels he “should” get it, but his lack of experience with classical music prevents him from enjoying the performance. If making music accessible were relevant this wouldn’t have happened (more…)