Slate’s Mark Vanhoenacker published a statistics-laden (and admittedly sympathetic) “requiem” on the death of classical music last week. True, if you look at classical music through the lens of pop music, you might be forgiven for seeing a ER patient gasping for breath on a Beyonce-embossed hospital bed. But it’s been a long time since classical and pop music have competed for the same prizes, and that’s the problem with his argument: Vanhoenacker fundamentally misunderstands what classical music is about in the 21st century. Classical isn’t the same cultural beast as pop—not anymore anyway. It might not ever be again, and that doesn’t matter in the least for its survival. (more…)
We live at a time that prizes entrepreneurship above all else, and this is bad for art. Not that entrepreneurs are out to destroy the arts, it’s just that artistic and business innovation are fundamentally antagonistic. Yes, entrepreneurs have unquestionably created value for the arts, but the actual business is always one step removed from the actual art. At best, entrepreneurship provides stuff for artists to sell and then gets the hell out of the way. At worst, entrepreneurship turns art and artists into disposable commodities.
Unfortunately, our societal love affair with entrepreneurship has confused this relationship. Suddenly all artists are expected to be business innovators, as if coming up with a marketing plan were the self-evident first step in the artistic process. (more…)
This is an issue I’ve been thinking about for a long time. Can we actually justify saying one kind of music is better than any other, or that one piece is better than another? (more…)