Gentrification in Berlin's Kreuzberg neighborhood. (photo credit)
Living in San Francisco, you can’t avoid the anti-gentrification rants—and my fellow artists are some of the loudest participants. The Mission District, once a bohemian enclave, has become astronomically expensive and a playground for obnoxious Tech Bros. Longstanding arts organizations in SoMa and the Tenderloin have had to relocate or shut down to make room for new luxury apartments, to the point that the city is considering a tax on new development to subsidize nonprofits. Shady landlords find underhanded ways to evict rent-controlled tenants and sell the properties at a handsome profit. Even formerly unredeemable neighborhoods of Oakland have started to succumb to baby strollers, designer boutiques, and rising rents. All the while, artists and the poor get pushed out, and any last remnant of cultural life goes along with them. Or so the story goes.
In reality, gentrification has an artistic upside, even when you factor in all that bad stuff. Gentrification is not just about the disneyfication of formerly quirky neighborhoods at the expense of anything unique or original. (more…)
Stack of US Bills, CC by "401(K) 2012" on Flickr
Some friends of mine were having an interesting Facebook discussion around Ellen Cushing’s recent article in the East Bay Express, about crowdfunding, philanthropy, and what the young and well-to-do of Silicon Valley mean for the future of the arts. The issue was whether or not crowdfunding was replacing traditional arts philanthropy and what this means for the long-term viability of arts organizations. Kickstarter campaigns are great for early-stage artists, but they couldn’t reasonably sustain something like the San Francisco Symphony, or even smaller chamber organizations like SFCMP or SFSound. So if young people with a lot of money are eschewing the traditional philanthropic route in favor of crowdfunding, what does that mean for arts organizations?
Nothing. Crowdfunding is a new category of fundraising, and it draws a different set of people for reasons unrelated to traditional philanthropy—each addresses a separate “need” for the donor that the other doesn’t. The reduction in philanthropic support for the arts right now is not tied to crowdfunding, but rather to larger shifts in cultural priorities. (more…)