Perhaps the classical music world has taken the entirely wrong approach to selling recordings; perhaps the reason they don’t turn a profit is because they’re significantly underpriced. Maybe we should be charging way more—like, three-figure prices per copy. And no, I’m not talking about charging extra for value-added stuff like boxed sets or exclusive tracks, I’m talking about, “Hey, this recording is awesome, so the price is $150.”
Hear me out before you dismiss this as crazy. Inevitably we’ll sell fewer copies if we set a higher price point, but that might not be harmful. In fact it might be a good thing. (more…)
Gentrification in Berlin's Kreuzberg neighborhood. (photo credit)
Living in San Francisco, you can’t avoid the anti-gentrification rants—and my fellow artists are some of the loudest participants. The Mission District, once a bohemian enclave, has become astronomically expensive and a playground for obnoxious Tech Bros. Longstanding arts organizations in SoMa and the Tenderloin have had to relocate or shut down to make room for new luxury apartments, to the point that the city is considering a tax on new development to subsidize nonprofits. Shady landlords find underhanded ways to evict rent-controlled tenants and sell the properties at a handsome profit. Even formerly unredeemable neighborhoods of Oakland have started to succumb to baby strollers, designer boutiques, and rising rents. All the while, artists and the poor get pushed out, and any last remnant of cultural life goes along with them. Or so the story goes.
In reality, gentrification has an artistic upside, even when you factor in all that bad stuff. Gentrification is not just about the disneyfication of formerly quirky neighborhoods at the expense of anything unique or original. (more…)